Die Towards Immortalization

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The Snows of Kilimanjaro is one of Hemingway¡¯s best short stories. Hemingway¡¯s style and spirit are fully presented in this story the use of simple words, the subtle description of human psychology, paragraphs of stream of conscious, and the thought about death.

The story tells us the last day of Harry. Along with the dialogues between Harry and Helen, Harry¡¯s mental activities, his dreamland and rainbow, we get to know the whole life of Harry. We experience Harry¡¯s process of dying. And together with him, we also experience Harry¡¯s boredom of his corrupt life, his deeply self-reflection and then to the disillusionment. At last, we find the essence of life and get the immortalization of the spirit. The story impresses me most is the word ¡°die¡±, which was used several times through the story. The story is mainly divided into three parts.

We can easily feel the death from the beginning of the story. Harry said to Helen Cant you let a man die as comfortably as he can without calling him names?¡± From this sentence, we can know that Harry didn¡¯t care for death, he even longed for that, for he was tired of everything. He came to Africa for starting his life again because Africa was where he had been happiest in the good time of his life. But now, the beautiful scene in his eyes are disgusting the big birds squatted obscenely; the huge, filthy birds sat, their naked heads sunk in the hunched feathers; A fourth planed down, to run quick-legged and then waddle slowly toward the others. The snow-covered Kilimanjaro can nearly cover everything. No one has explained what the leopard was seeking at that altitude, maybe it was seeking for death. Death can be felt mainly through the description of the scene in the first part. From it, we hold the feeling that nothing is worth to cherish, even life is not valuable in the highest mountain. Death is so close to both the hero and the readers.

However, when fell into asleep, Harry dreamed of the happy hour in his life. The snow, the pure thing, has ever brought so much happiness in his past life. It was snow the girls tramped along in until they died that winter. It was snow too that drifted over the deserter¡¯s tracks. In Schrunz, on Christmas day, the snow was so bright it hurt your eyes when you looked out from the Weinstube and saw every one coming home from church. The snow as smooth to see as cake frosting and as light as powder and he remembered the noiseless rush the speed made as you dropped down like a bird. They were snow-bound a week in the Madlenerhaus that time in the blizzard playing cards in the smoke by the lantern light. His memory about snow was all delighted, contrary to the present, although he was in the snow-covered mountain, he detested being living and longed for death.




The good memory aroused his yearn for life. It¡¯s just because of the cognition of the joy of life, he turned to rage from boredom. We know that it is the process of turning alive from dead.

In the second part, death can be felt primarily according to Harry¡¯s stream of conscious. The word ¡°die¡± or ¡°dead¡± appears eleven times here, among them, seven times are Harry¡¯s feelings about death. Let¡¯s take a look at how Harry¡¯s attitude towards death changed. First, ¡°If he lived by a lie he should try to die by it¡±, he still thought he should die because he hated the world. He damned the love and the money. He said love is a dunghill to imply the depraved life he and Helen lived in rich area in Paris. Then he began to analyze how he degenerated in the rich¡¯s country. By analyzing his psychological activities, Harry¡¯s wrath towards others transformed into the venom and compunction to he himself. Therefore, ¡°It occurred to him that he was going to die. It came with a rush; not as a rush of water nor of wind; but of a sudden, evil-smelling emptiness.¡± Only when one is alive he can feel about death. It was because Harry began to examine himself and began to survive from the death of his own spirit that he suddenly felt death. In the second stream of conscious, Harry recalled he and his lovers and the quarrels between them, his experience in war and things like that. With the deep analysis of his degeneracy and the aggravation of his illness, Harry felt death constantly. He could even see dead men wearing white ballet skirts and upturned shoes with pompons on them. Im going to die tonight, he said. He felt death come again. So this was how you died, in whispers that you did not hear. He lay still and death was not there. It must have gone around another street. It went in pairs, on bicycles, and moved absolutely silently on the pavements. All these show that Harry was no longer careless about death, by contraries, he became aware of it. The third and fourth stream of conscious state Harry¡¯s impression of Paris and his life in the countryside after war. He understood the poor and loved them. Their life is poor but vigorous, which brought inspiration for Harry¡¯s inditement. Nevertheless, his talent and volition were run out of in the seeking for enjoyment and lust with the noblewomen. Now he wanted to write down the interesting and genuine stories he experienced, but he is going to die. How can¡¯t Harry regret about that! He walked towards death step by step, and also walked towards virtue from coarseness step by step by evoking his soul.

Many contrasts can be found in the third part. We know Harry he had nothing about the pain at first, but now he was frightfully hurt by the pain and nearly wore out, he couldn¡¯t bear the pain just like the bombing officer asked Harry to shoot him when his bowels spilled out into the wire. Although Harry claimed that he did not care for death, he truly felt the pain. It is the pain from his soul. It is a kind of repentance to his whole life after his self-reflection. The keenly felt pain made him decide to fight against death. He had just felt death come by again. Because, just then, death had come and rested its head on the foot of the cot and he could smell its breath. Harry was tired of everything at the beginning; now, he was getting as bored with dying as with everything else. The hallucination of being rescued can be seen as his fight against death. His body was dying gradually while his spirit kept on subliming. At last, his body died. But his spirit, the longing for resuscitation, became immortal. All he could see, as wide as all the world, great, high, and unbelievably white in the sun, was the square top of Kilimanjaro. And then he knew that there was where he was going. Compare with the snow-covered scene in the beginning, we can fell the snow scene in the Kilimanjaro, the most beautiful and pure thing under the sun, become eternal in our mind. It glares on the summit of the Kilimanjaro, and also shining in our hearts. It is the immortalization of the spirit.

The whole story depicted Harry¡¯s psychological activities exhaustively. By looking back to his past, his soul had been baptized and got close to immortalization. It gives us the hint that his death is towards immortalization. Hemingway¡¯s spirit ¡°A man can be destroyed but not defeated.¡± is thoroughly revealed in the story, too. Harry died at last, he was destroyed by the gangrene. But he was not defeated, instead, his spirit is immortal. Death just means the cold of the body. If only we keep on seeking for gracious virtue, just like the leopard on the western summit of Kilimanjaro seeking for, everyone of us can die towards immortalization as Harry did.



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